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The Sunday Paper: “Blood Come” by Ryan Adam Murray. Part 1 of 7.

January 1st, 2012 | Comments Off | Posted in The Sunday Paper

I used to jerk off in the mornings. Now I just wake up and try not to think about Ted.

It’s only for twenty minutes as his shift ends and mine begins, but knowing that I’m going to see him fills me with dread. He’ll tell some stupid joke, and he’ll giggle. Then he’ll chuckle. Then he’ll guffaw uproariously until his whole head turns purple. I can’t look directly at Ted when he laughs. Imagine someone took a semi-erect penis, with beady eyes and a five o’clock shadow, made it wear an apron, and taught it to flip burgers. That’s Ted.

Ted only knows four jokes. None of them are funny, but what he lacks in wit he makes up for in persistence. By this I mean that he tells the same four jokes over and over because he has the memory of a fucking goldfish. Ted is the day-shift supervisor but he tells people that he is the “executive sous chef.” We have a small kitchen. Nobody is ‘executive’ anything. If you want to get technical though, I’m the sous chef.

Ted is the best at everything that can be done. There’s no way to argue with him. He does not comprehend reason. You might suggest that there can be no “best” way to cook French fries. You throw them in the deep fryer and pull them out when they’re done. You can fuck up French fries by taking them out too early or leaving them in too long, but there’s no trick to it. Trying to explain something like that to Ted is impossible. He has fifteen years of experience, he says. No one on the planet can dunk sliced potatoes in hot grease like he can, and that’s that. The idea that “his way” might not be the best way, or the possibility that there may be no “best way,” brakes every rule of his egocentric logic.

I steel my resolve to face Ted — with his twisted laugh that sucks all of his blood into his repulsive face — and be strong. Each time his head turns purple, I will be a man of granite. I’ll see him soon. I know I will.

I nod to Peter the bartender. After drop my gear off in the changing room, donning my whites, gathering my knives, I head into the kitchen with a knot in my stomach. I have to pretend to like him. If I don’t, there’ll be trouble. Ted does everything in his power to spread vicious rumours about anyone who dislikes him. The owners haven’t yet figured out that he’s full of shit. Based on his much lauded ‘experience,’ they think he is to be taken seriously. They also think that the rest of us are jealous of him. They hang on to these ideas because they’ve been paying him like he knows what he’s doing and they’ve come too far to admit that they were wrong.

When I arrive in the kitchen I find that Ted has gone home already.

Goddamn.

It takes a great deal of psychic energy to prepare for the purple-penis, French fry king. Now that he’s not here, I’m almost disappointed. Not really, but almost.

Ruggario the baker and Juan the saucier, who start their shifts around noon and leave after the supper rush, are busy in the back. I don’t talk to them much, because I don’t need to. They both know their jobs. They’re both rock solid.

The first person I talk to is the dishwasher, Bandula. He’s a sociopathic ogre with shoulders as wide as a city bus and hands as big as dinner plates, but he’s not Ted so I’m glad to see him. He doesn’t seem glad to see me, but Bandula is never glad to see anybody who won’t have sex with him for money. He’s mopping the floor when I come in.  I slip, and almost throw my back out, just barely catching myself before I fall. I give the dishwasher a meaningful look, reach behind the counter, and produce the “Caution: Wet Floor” sign. I place it in the center of the room.

Bandula pretends not to notice. That sign is the only thing we argue about. I’m terrified that some harebrained server is going to come charging through those doors and break their neck some day. I’ve told the Bandula more than once, if it happens, he’s the one who will have to dispose of the body.

Wooden Rocket Press’ Sunday Paper posts new serialized fiction each Sunday. Return next Sunday morning for the next section of Blood Come. For other stories check out the
Sunday Paper archive.

To submit your story for consideration for the Sunday Paper:

e-mail us at submissions@woodenrocketpress.com.

Merry Christmas!!!

December 22nd, 2011 | Comments Off | Posted in Uncategorized

From Wooden Rocket Press

yodachristmas

Review: Freelance Blues issues 3 & 4

December 7th, 2011 | Comments Off | Posted in reviews, Uncategorized

3CoverL

FREELANCE BLUES

by Ian Daffern and Mike Leone. Art by Vicki Tierney
Issue  3 – 26pg; Issue 4 – 26pg
Available at
freelanceblues.com

You get up, you go to work. You expect little change, and if one or two interesting things happen, it makes your day exciting, or terrible, or perfect. For Lance, the monster-fighting everyman at the heart of Freelance Blues, fighting terrifying monsters is the routine, and having expectations shattered is somewhat the norm. For a book series that is rapidly approaching its conclusion, I began to wonder before cracking open Issue 3 how many more surprises Daffern and Leone had up their sleeves.

Where we last left Lance Bunkman he was on his way across the country to be with his grandfather and two sisters, whom he supports with a string of low-pay freelance jobs that invariably end with him fighting some giant insect, or yeti, or zombie, or army of bewitched garden gnomes, or… well, you get the idea. The character is a little tired, and hurt, but there’s a heart behind every conversation he makes to the girls back home and you never question what brings him to get back to work the next day. Lance is as likable as ever, and Daffern and Leone have hit their stride in writing his bizarre circumstances as though they were the most normal in the world.

What didn’t strike me in my first review and hits me broadly in the face now is just how much these two guys can get done in 26 pages. They’ve boiled the Freelance Blues story machine to such a degree of acceptable lunacy that they can get away with launching right in to stranger and stranger encounters almost immediately, and still have time to flesh out the personal relationships between Lance and his twin sisters.

I want to say that Issue 3 offers the least interesting monster encounter to date, but I can’t fault the guys for a seemingly bottomless reservoir of originality. As issues of FLB continue, I’m sure they’ll eventually hit some classic-horror cliche that maybe doesn’t please everyone, but each iteration is always presented within a hilarious and original enough framework that shows that these guys really know their way around a monster story. Issue 4 makes up for any lapse of interest for this reviewer by exploring the monstrous possibilities of a Kobe beef ranch that lets patrons “experience the life of a cow.” Yeah, just let that one take you.

Vicki Tierney’s art is on point as always, offering some of the most exciting multi-panel work I have ever seen in an independent comic. In these issues we get to see more of Lance’s family and his trademark sneer and jawline shows its lineage, giving me a sense that Vicki is no mere hired gun, and she cares enough about her panels to fine-tune every expression.

The shining moments of FLB3 &4 are the brief-but-beautiful interactions Lance has with his sisters in phone conversations cut short, or looking at maps of jobs they have plotted out for him all across the continental U.S.A., bringing the relationship to such genuine and sweet focus that I can’t help but think “what a nice thing for them to do.” A monologue mid-issue 4 that wedges all of Bunkman’s job-hate into an just-ill-fitting-enough-to-be-charming Hamlet homage reminds us that the guy is not just family-oriented, and has enough personal layers that the fact that he keeps on these job quests is a stronger testament to his character than any narrator could have offered.

My only moment of fatigue happened in between FLB3 & 4, when I realized that a pre-determined list of part time jobs could lead to a lot of episodic repetition. Lance’s sudden appearance on a cattle farm made me lose touch for only a moment, as I was hoping for more of the driving, more of the phone calls, the in-between stuff that really shines.

While it would be a crime for FLB to become a series of one-issue monster gags, the labels on the front page remind me constantly that Daffern and Leone know what they’re doing. Each of these is an issue of 6, and every step brings us a little closer to understanding what it is that forces Lance to always be employed by the forces of evil (a mystery the twins start exploring that really got me excited). While the tone of this review may seem a little middle-ground, you must remember that I can’t look at FLB as stand-alone books anymore, because it is definitely a book that will standout as a strong, complete work when it is finished, with each page keeping you feeling anything but routine.