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The Sunday Paper: “Blood Come” by Ryan Adam Murray. Part 4 of 7.

January 22nd, 2012 | No Comments | Posted in The Sunday Paper

As we’re cleaning up afterward, Amanda comes charging through the doors with a concerned look on her face. She’s been busy tonight so she hasn’t been in the kitchen much, which is a shame because the window between the line and the servers is positioned to perfectly obscure our faces when she’s standing at the counter. This means we can stare at her tits with total impunity. It’s nice.

“He’s here,” she hisses at me. “Look out!”

“Who’s here?” I’m confused. It’s too late for the Chef or the owners to be hanging around, and there’s no way any reviewer worth their salt would waste time on this place. Not on a Wednesday, anyway.

“Ted!” she whispers.

“Oh…” I would bury my face in my palm if it weren’t oily and bloodstained.

“That’s just fuckin’ spectacular.”

“Hey,” says Jack, eyeing Amanda. “That sounds like bad news. If you need someone to comfort you or, you know, have wild sex with, I’m right here.”

She smiles sweetly.  “If that’s what I need, Jack, you’re the first person I’ll call,” Amanda says.

“Really?” Jack says, surprised.

“Not really,” she admits, and exits the kitchen.

“Don’t feel bad, man, you know she has a boyfriend.” Nick slides over to Jack, putting a friendly hand on his inner-thigh and running it up his leg, making Jack jump to avoid having his balls fondled. His tone though is conciliatory. “And you know he’s a douche bag. Some guy who thinks he’s better than everyone ‘cause he’s never been drunk on mouthwash or shit his-self in public. You know the type.”

Nick slaps his own nuts, wistfully.

“Nick is right,” Bandula says. “She have no want for Jack and his fuck. That’s why he give the fuck to little boys,” he looks up at the invisible figure of authority, once again going into analytical mode. “To them, he feel a man. To woman, his cock is like cock of the baby.” The dishwasher makes a sympathetic face, and tries to comfort the rejected cook. “Jack?” he asks, rubbing his hands together and frowning. “Want whore? I get whores. Cheap too. You need woman who can make baby cock feel like the black adder inside. Cheap whore? She ocean of cock. Her fuck good for you.”

“Thanks man,” Jack says, with genuine gratitude. “But it’s gotta be Amanda. Boyfriend or not. Just ‘cause there’s a goalie don’t mean you can’t score.”

“What’s this now?” Fuck me. It’s his voice. I knew it was coming. He must have been standing just outside the door to the kitchen. Ted swaggers into the room, a pint in one hand and a clipboard in the other. Why does he need a clipboard, you ask? The answer is that he doesn’t, but he always carries it with him. Whenever I need to ask him a work related question he likes to hold up one finger, like a conductor chastising a particularly rough crowd into silence at a cello recital in a bad neighborhood, and contemplate the clipboard for a few minutes before responding. “This doesn’t sound like a discussion appropriate to the workplace,” Ted pauses meaningfully, and then erupts in that hideous guffaw as blood fills his head and face, twisting it into a purple leer. “I’m just kiddin’! I won’t rat you out,” he gives Jack a conspiratorial nod. “I had a dream about her last night.”

He says it the way that a normal person would say, I just got my Ph.D. in Quantum Physics, or I was just awarded the Nobel Peace Prize, or my sculpture of Doctor Martin Luther King Jr. is being displayed at the United Nations summit.

“She was naked,” Ted adds, with a wink. Then he bursts into peals of stupid laughter as Peter comes in.

The bartender gives me a telling look.

“You can’t drink in the kitchen,” Peter tells Ted, “and you’re not working right now. You really shouldn’t be in here.”

“These guys are my buddies!” Ted is thoroughly indignant. “We’re just shootin’ the breeze.”

God forbid I let him know I don’t like him. If I did that I’d end up in a forty-five minute meaning where well-meaning owner number one and well-meaning owner number two would sit Ted and I down and try to ‘work things out.’ This would end up making me look like an asshole, and Ted look like a nice guy who got treated badly when he was just trying to help. I’m not taking the bait.

“We’re buddies,” I say, shooting Peter a ‘what the fuck do you want me to say?’ look. “Don’t worry about it.” The bartender glares at me, and leaves.

“So,” Ted says, appropriating a businesslike tone, flipping through the bills from the rush. “I see that Amanda ordered a couple of steaks and a nacho twenty minutes ago. Did you make those for her?”

“No,” I say. “I kicked her in the box and told her to go fuck herself. It’s okay. We have an understanding.”

From the pit I hear Bandula hoot with laughter. The dishwasher could care less about Ted. He stays out of Bandula’s way. They never speak to each other.

Ted stares at me for a second. Then he guffaws again, but this time it’s forced. “You’re quick,” he observes. “That’s funny.” He says it as if he was making an accusation. He says it like a normal person would say, you seem to be shitting on my foot. He examines his clipboard for a moment. Nick pipes up.

“Hey Ted, I was just noticin’ the mashed potatoes today,” Ted can’t see his face. Nick is looking at me with a wicked grin. He applies the palm to his crotch and winks. “How do you make them so smooth?”

Jesus fucking Christ.

For what feels like an eternity, Ted talks. No, Ted explains. He explains that the secret to making mashed potatoes is that you have to, and for your sake I’ll paraphrase here, you have to mash the potatoes. Ted does have one talent. It’s the ability to stretch the incredibly fucking obvious into a twenty-minute speech. When he finally runs out of steam he heads back to the bar for another beer. I’m sort of impressed with Nick. He did keep Ted distracted for a while. Distracting Ted by getting him to talk about himself isn’t exactly the most difficult task in the world, but the bar is low for Nick. He had a good idea. I’m going to give him credit.

“Fucking asshole,” Jack snarls as Ted leaves. “At least he won’t ‘rat me out,’ though.” Jack’s voice is heavy with sarcasm. He’s going to hear about the Amanda shit from the Chef tomorrow. We both know it.

Re-beered, Ted comes back. I hear him saying something to Peter, followed by the guffaw. “You’ve got a good sense of humor, bud,” he tosses over his shoulder as he returns to the kitchen. If Ted is telling you that you have a good sense of humor, it’s probably because he just said something incredibly rude and obnoxious that he’s trying to pass off as a joke. Don’t get me wrong, we talk a lot of shit in the kitchen, but we’re all on the same side. When Bandula threatens me with rape and murder, I can take it as playful camaraderie. He’s sure as hell never going to go to the Chef or the owners with stories about me, no matter what happens back here. Ted is a crybaby and a tattletale. Whatever you say to him is likely to be repeated to upper management. That takes the fun out of it.

“The real reason I’m here,” Ted reveals. “Is that I have to tell you something,” he gestures to me with two fingers. The ‘come here,’ gesture. Livid, I lean over.

“What?” I hiss the word at him.

“The Chef asked me to ask you to pick up a meat order. It gets to the market-” I wave my hand brusquely in Ted’s face.

“He called. He told me,” I have no time for this. “Seriously? He told you to come here and tell me that?”

Ted stiffens.

“I was led to believe that was my responsibility,” he says, coldly. “I take my responsibilities very seriously,” he gives me a meaningful look, and taps his clipboard with a pen. “You know,” a gentle note creeps into Ted’s voice, “I’m used to gettin’ up in the morning. If you like, I can take care of it for you.”

Oh. Hell. No. Giving a task that the Chef entrusted me with to this suckhole would be tantamount to abandoning my position entirely. I’d never hear the end of it.

“That’s fine,” I manage a smile. “I have the situation under control.”

A shadow passes over Ted’s face. Oh, I get it. This is why he’s here. If he picks up the meat order he can go on and on to the Chef, the owners, to anyone who will listen about how the sous can’t control the kitchen when the Chef is away, the sous can’t be trusted to drag himself out of bed to do important work, the sous pawns off his responsibilities on Ted, the under-paid culinary genius rotting away on the day shift. The plan, shoddy, and transparent as it is, becomes crystal clear to me.

“You’re sure?” he asks.

“I am,” I say.

“Okay,” Ted gulps his beer. “I’ll be in to check on you in the morning.” He leaves. At last.

“He’ll be in to check on you, huh?” Jack throws a carrot stick at me. “Just to make sure everything’s running smoothly, right?”

“Shut up,” I mutter.

After we get everything cleaned up and put away, the three of us sit at the bar across from Peter. The place is closed but he’s still pouring. Bandula left. He has to be back in the morning. Jack and Nick are halfway drunk already, and I’m nursing a beer. “Four a.m. huh?” Peter shakes his head, “that’s brutal. Are you even going to sleep?”

“Fuck that,” I say. “What’s the point? I’ll just hang around here until three thirty. I know where the place is, and it’s not far. I can stumble over there, grab the meat order, and stumble home. No problem.”

To this day, I don’t know what happened. I’ve worked nights for years, so I normally go to bed around 6 a.m. I’m never even tired at four. Never mind at… well, whenever I finally fell asleep. Overconfidence. That was my problem. I was just so pissed that Ted would question my ability to get this very simple task done, I felt defiant. When the first wave of sleepiness swept over me, I didn’t even fight it. I leaned back in one of the booths, put my feet up, and decided to rest my eyes. I’d make it. That scruffy penis thinks he can question me? Fuck him.

The next thing I become aware of is a distant sound. Wheels on bare floor. The mop bucket in the kitchen. I hear it, but I don’t realize what it means right away. The sound stops. The door creaks open. Footsteps are coming toward me. I don’t want to open my eyes. I just hope that whoever it is won’t try to disturb me.

Then, a voice. “Beware,” it says. “The cock of failure.”

Wooden Rocket Press’ Sunday Paper posts new serialized fiction each Sunday. Return next Sunday morning for the next section of Blood Come. For other stories check out the Sunday Paper archive.

To submit your story for consideration for the Sunday Paper:

e-mail us at submissions@woodenrocketpress.com.

Book Review: Boris Robot of Leisure, Vol. 3 & 4. By Katharine Miller

January 20th, 2012 | No Comments | Posted in Uncategorized, reviews

ROL Vol. 3: Boris Gets A Visitor
ROL Vol. 4: Boris Takes A Nap

By Katharine Miller
Vol. 3 – 101 pages, Vol. 4- 98 pages.
http://www.robotofleisure.com

Well, it’s been almost a year since I read a Bot’ O’ Leisure book and, since author Katharine Miller officially became Canada’s Own Katharine Miller yesterday, I thought I’d celebrate with a quick review the latest of Boris’ offerings. I’ve writen quite a bit about my admiration of Miller’s work already. I gush about her styalistic ellegence here, and spend a lot of time trying to make myself sound smart in phylosophy here. But you clicked this link looking for a short book review, and probably don’t want to ramble over an extra thousand words of my writing, so let me summarize thusly: Boris is sort of a newspaper strip about about The Jetsons as re-imagined by Samuel Beckett. I think that’s a fair discription of the little robot with whom the early twentieth century, Irish nihilist in me first fell in love, and the latest volumes of Miller’s text-less, cartoon series continue in this same, excellent philosophical vein; exploring simply, and usefully the profound joys and sadnesses associated with mundane activity.

In Boris Gets A Visitor, our hero tries, rather unsuccessfully, to impart some of his accumulated wisdom to another of his kind. The story shares the moral of Herman Hess’ Siddhartha, that while many things can be explained, nothing can ever be taught. In Boris Takes A Nap,  our robot has grown board with the common endeavors that once thrilled him, and expands his conscious experience into the realm of impossible dreams. Miller is once again using the perfect absurdity of her adorable robot to explore a fundamental truth of the human condition; in this case, that it is impossible for the normal mind to remain joyfully focused on its true circumstance.

“All his life has he looked away… to the future, to the horizon. Never his mind on where he was. Hmm? What he was doing.”

-Yoda, Star Wars V: The Empire Strikes Back.

Thankfully, Miller also realises, in these newer works, that she has already been leaning on her cute cartoons and philosophical dexterity for two hundred pages. While ROL 1 and 2 were both deeply enjoyable experiences, she wasn’t going to get much more mileage (actually, given that she’s a citizen now, let’s say Kilometerage) out of the character without introducing a more exciting, and perhaps more literary, external conflict. She’s solved this problem beautifully, by introducing an element that my aforementioned hero Beckett spent his entire career deliberately avoiding, back-story.

The absence of all senescent life in the Boris universe was something I had been taking for granted. I was passively curious about it. I made a few casual guesses about what might have happened to all the people, but I’d seen Endgame, I knew that it didn’t mater. The end of the world, I thought, was not the story, simply a necessary stage for the performance of it. It seem, however, that I was wrong. I am shocked, awed and sincerely excited (as I suppose Boris must be) discover some clues. Not only clues to the mystery of Boris’ existence, but possibly clues to the mystery the ghost town where he resides. I’m all a tingle to think that Boris, the robot with human drives and yearnings, may be about to uncover an answer to one of the most fundamental human questions: Where Do I Come From?

Please read all of Miller’s books, and join me, in hot anticipation of the upcoming ROL. 5: Boris Meets His Maker.

The Sunday Paper: “Blood Come” by Ryan Adam Murray. Part 3 of 7.

January 15th, 2012 | No Comments | Posted in The Sunday Paper

They say he was running coke for some Vietnamese gang when his car went off the road and hit a tree. He tried to drag himself away from the crash so he wouldn’t be caught with the blow, but only made it a few hundred yards. He wasn’t found for three days. In the meantime, his injuries became infected. He ended up losing three fingers, two toes, and an eye. He went to the hospital and then to prison, where he served seven years. During that time, he acquired a culinary degree and (rumor has it) killed two other inmates.

This is how the Chef came into my life. Because of the culinary degree that is, not the jailhouse murders.

When he really doesn’t like somebody and decides its time for a disciplinary lecture, he takes out his glass eye first. He loves forcing people to deal with that gaping socket. God help you if you look away.

“If you were stranded in the wilderness due to a plane crash,” he asked me during the job interview. “How long would it be before you chose to consume human flesh?”

I immediately said that after five days without meat I would probably resort to cannibalism to survive.

“To survive?” he asked. “You would make that choice?”

“Anything to survive,” I told him emphatically.

“The important thing,” he gripped me tightly in a firm handshake as his eyes penetrated my soul. “Is that you don’t have to think about it. The important thing, is that I know you have asked yourself this question before I asked you this question.”

“I will destroy you,” he said. “Only to rebuild you. The man you are will be immolated in the fires of discipline. From his ashes, a sous chef shall rise.”

The dishwasher interrupts my reverie. Bandula is looking at me thoughtfully. Seeing that he has caught my eye, he turns his gaze upward, as though addressing some highly placed authority figure. Any time his remarks become analytical, Bandula looks at the ceiling.

“Denis has a trouble,” he says mournfully, rubbing his hands together. “No doubt. If he does the fuck up, fucked he will be. Not by the gleaming cock of his playdream, but by the burning cock of failure.”

“Woah,” Jack squints at me little. “That’s intense.”

“The cock of failure will fuck him away from his home, fuck him away from his job, fuck him away from the cake that is his love. You,” Bandula looms over me, his face a stony mask of prognostic calm, “beware the cock of failure.”

“Glad you guys are looking out for me,” I mutter. “Thanks a lot, but I won’t fuck this up.”

“Maybe you don’t. Maybe you do,” Bandula considers the possibilities. “Life is a maybe. Maybe I kill someone today,” he likes to launch into little homicidal soliloquies. To pass the time, I assume. “Maybe I kill you,” he points at me, fully extending his long, bony arm in my direction. “Yeeeesssssss,” he says thoughtfully. “You fat, lonely faggot. No one cry for you. No police. Oh, but not to worry,” he beams benevolently at me. “Before I kill you, I fuck you. I fuck you. You cry. Blood come. Then die. No more cake.”

Jack sighs, “and they say romance is dead.”

“Wow,” what else do you say, right? “You couldn’t even, like, buy me dinner first?”

“I buy hallmark card for dead baby’s mama,” he snaps. “Wipe my ass.”

“This is awkward,” says Jack. “I’m a little jealous right now.”

Finally, almost an hour late, Nick shows up. He brought another joint, so I forgive him. He’s more of a retard than an asshole, so when you take the bribes into account he does more good than harm. He’s white as a sheet and his hands are shaking, but that’s pretty normal.

“Hey shitwits,” he says as he fills a one liter container with water, downs it in a single gulp, and fills it again. “Did I miss the four p.m. rush?”

Nick says shit like that to emphasize his view that it’s not such a big deal whether or not he shows up to work on time. I inform him that we just got hit with a thirty-person rezzie. He shuffles his feet and stares at the wall. Then he mumbles something vaguely apologetic and heads out the back door to begin his daily ritual of open vomiting and clandestine masturbation.

“One weeks, three day,” Bandula says. “Three hundred.”

Jack laughs, and says, “no way man. I give my boy a month at least.”

“I make from you the money,” Bandula smiles. “I buy for me the pussy.”

“A week and three days?” Jack scoffs. “That guy’s been a day away from death for six years. It’s going to take more than a payday weekend to kill him.”

“Your money will be my money.”

Peter, passing through the kitchen to get lemons and limes for the bar, provides his own analysis.

“If Nick lives to the end of his shift I’ll be shocked,” he laughs. “I saw him at the Centurian last night getting his ass kicked by three bouncers. Tom told me that he whipped it out on one of the shooter girls,” Tom is a bartender at the Centurian.

“Sunshine is lucky he works here. That’s the only reason they haven’t banned him.”

“Dude, that was entrapment,” Nick walks in to hear his reputation slowly dwindling. Or growing, depending on the scale that we’re using. “She offered me thirty bucks for it.”

“What?” a shrill note creeps into Peter’s voice. “Are you nuts? Who the fuck wants to see that?”

“You’d be surprised,” Nick grins, slapping his ball-sack with his palm, as he always does when he thinks he’s scoring a point. “I gotta charge you fifty though, I got bills to pay and you got no damn vagina.”

Jack and Nick laugh their asses off. Peter is unphased.

“How are YOU standing?” he demands of Jack. “You were there with him, weren’t you? Didn’t you guys go to the Burn after that?” The Burn is an after hours bar which is only slightly less welcoming than a Russian gulag after three days without gruel.

“I went home at ten a.m.” Nick yawns. “Gotta get my beauty sleep.”

“See, that’s his problem,” Jack says, pointing at Nick and shaking his head. “This dumbass went to bed.”

Oh, I get it. Jack isn’t hungover because he’s still drunk. Figures. That explains how he managed to make it to his shift on time. He probably didn’t even go home last night.

When the supper rush hits, we’re all ready. I love the rush. The rush is the reason that I cook on the line. You just put your head down and go. Consciousness is restricted to one hundred and twenty seconds in either direction. There are no long-term plans and no distant memories. It’s all about right now and what needs to be done. From six p.m. to nine, everything is a blur.

Wooden Rocket Press’ Sunday Paper posts new serialized fiction each Sunday. Return next Sunday morning for the next section of Blood Come. For other stories check out the Sunday Paper archive.

To submit your story for consideration for the Sunday Paper:

e-mail us at submissions@woodenrocketpress.com.